'Lemba Dusk,' acrylic on canvas, 30 x 22 cm |
My first post of 2020! I'm going to write about some of my painting inspiration and potential 2020 exhibitions.
This has been my first chance to write because I've been busy submitting work for 3 opportunities so far this year; one in Germany, one in Bangkok, and one in the UK. These have been quite complex submissions and some have required several PDF documents, long descriptions of past projects and numerous image files. This is the life of an artist; juggling making the artwork along with seeking out opportunities and applying to them!
'Dusk Birdsong, Winter,' acrylic on canvas, 30 x 22 cm |
I feel that certain opportunities here in the UK are very exclusive - they say they are also for unknown artists but when you see who is selected you realise that they already had some artists in mind, either known through various connections or whose father is a well known artist. A little research backed up my thoughts on this when I found that a so-called unknown artist who was picked for a group exhibition in London was already many months earlier being 'followed' on social media and commented on by the 'hosts.' It is certainly not an equal playing field: although I've exhibited internationally for some years now I've never been able to get a certain local news/arts publication to write about my participation! So much depends on who you know and who they wish to promote!
So far this year I've not done as much work as I'd hoped but today I've begun stretching one of several canvases. I'm back to working with oil again, though some of the posted work is acrylic.
Summit,' oil and acrylic on canvas, 30 x 22 cm |
1. 'Lemba Dusk' is about that magical moment in Cyprus when dusk dissolves recognisable forms into a haze of sunset colour. As I mentioned in my last post, I've been inspired by memories of coastal sunsets in Paphos and the way the land and sky become one colour! I've watched these sunsets many times and this painting is about the small buildings, vegetation and various elements melting in to the warm colours of dusk.
2. 'Dusk Birdsong, Winter' is about the melancholy sound of winter birdsong. I've listened to it many times while I've walked back out through the forest at Burrswood when the sky to the west blazed with the last warm light and the shrill, plaintive notes of the birdsong seemed to hold an anxiety about whether the light would come back. I chose colours with references to light, and the pure colour touches are my idea of birdsong notes cutting through the fading light.
3. 'Summit' is a painting which was different to the other two in that I had no theme in mind. The summit refers to the accumulations of paint going upwards as I struggled to find a form for the paint but it could also be a landscape.
More to be posted soon.