Friday, 10 December 2021

Moon Paintings

For this post I'm including a few paintings inspired by the moon. I began painting this theme during lockdown. At the time I didn't realise why the moon had become so important to me, it seemed to be on my mind because I was walking late at night. Then I reflected on the theme and I felt that the moon is suggestive of eternity and the continuance of normality during the difficult time of Covid-19. It became a symbol of optimism and the change back to normality. The above painting is called 'Moon Lake,' and it is acrylic on canvas, 29 by 43 cm. As I painted, there appeared a dark lake and suggestions of water and a moon above. This painting went through quite a few changes. I left it for a month but it called for more work and I finished it with thicker paint, feeling my way through emerging shapes and colours. When a painting calls for more work I usually pay attention. I've destroyed a few paintings by pushing too far but with this one I was glad I searched further.
The above painting is called 'Rings Around the Moon,' (acrylic on canvas, 25 x 20 cm). It evolved completely from laying down paint and allowing a scene to emerge.
'Moonscape,' (acrylic on canvas, 29 x 43 cm) also evolved from the paint and laying down stains and marks. It went through quite a few changes and gradually suggested to me a rising moon over an autumnal landscape.
This final painting is not so much about the moon but suggests that last warm light of dusk just before the moon appears. Though I was going to work further, I decided I liked the simplicity of the image and its suggestiveness. 'Dusk,' acrylic on canvas, 20 x 25 cm.

Thursday, 2 December 2021

Artworks from 2020-2021 Inspired by Covid-19

'From Darkness in to the Light,' oil and acrylic, 100 x 145 cm


 During Covid-19 I painted continuously. I was inspired by memories of walks, night walks when no one else was walking, and thoughts about the pandemic. It was a time for reflection and this filtered in to my paintings.

The painting above was one of two I painted recently that directly address the impact of the pandemic and thoughts about a return to normality. It is my idea of emerging from the darkness of Covid in to the light of being able to meet and greet one another normally, and return to our aspirations and ambitions. I love working on a large canvas!


'Dawn Splendor,' acrylic on canvas, 30 x 21 cm


I am especially inspired by the seasons and times of day. And I'm including a landscape painting about the rain which went on for days earlier this year in the UK. I was imagining roads and a sudden burst of sunlight. With this painting, below, I was trying out different ways to apply paint.


'After the Rain,' acrylic on canvas, 92 x 73 cm

'The First Light,' oil on canvas, 31 x 21 cm


More can be seen on my website. The link is on the right side of this page.



Friday, 26 November 2021

Three Exhibitions in December



I'm so pleased that I've just had a painting accepted for the annual Winter Group Show at the prestigious Linden Hall Studio gallery in Deal, Kent (UK). The above painting is called The Last Light and was inspired by memories of dusk as I travelled through Kent on trains. It is acrylic on canvas and 21 x 31 cm.

The WGS is on from December 1st to January 29th 2022. I will be showing with very well known artists, some of whom were my tutors at art school, such as Mali Morris, Clyde Hopkins, Alan Gouk.

At the same time I have 7 paintings in a large corporate show in office spaces at the Kings Hill village, Kent. These spaces are wonderfully spacious with great lighting, and I am showing some medium to large sized paintings along with several other artists. This exhibition will continue to the end of January too. More photos to follow.

Friday, 19 November 2021

Selected for Turner Contemporary gallery exhibition!

 


My painting COEXISTENCE (above) has been selected for the current exhibition at the Turner Contemporary gallery in Margate, Kent. The exhibition is called OPEN and celebrates 10 years of this prestigious gallery with its wonderful exhibition space. My painting is large, 100 x 140 cm, and the exhibition is on from October 23rd to February 20th 2022. I am thrilled to be showing at this gallery!

This seems a really good moment to write my blog again after an absence of over a year due to personal circumstances. I have made a lot of new work since I last posted which I will now start to post on a regular basis! In December I will have my paintings in 3 exhibitions: The Turner Contemporary gallery; The exhibition THE WINTER GROUP SHOW, at the Linden Hall gallery, (Deal, Kent), and 7 paintings currently on show at the corporate spaces at Kings Hill, Kent (curated by Frickleton Fine Art).

The photos below show my painting in the gallery and a view of the gallery at sunset. It is situated next to the sea and I took this photo from the railway station as I prepared to go home. You can see that the gallery even from that distance appears quite large.





Thursday, 6 August 2020

Inspired by the Moon: A Series of Summer Paintings part 1

''Rainfall Moon,' acrylic on canvas, 92 x 73 cm, 2020

As summer races by, I've felt incredibly inspired by several different experiences, alternating between abstraction and abstract figurative themes as paint suggested new approaches. One of the reasons I haven't posted for quite a while has been the intensity of my excitement and the momentum of working almost daily. 

The moon has often appeared as a theme over the years. As I love to walk at night, in the UK, Cyprus and other countries such as China, I have always found night to be full of mystery and open to boundless imagination. In Cyprus I often watched the moon as it rose luminous and green on the horizon and turned to pink, orange and finally yellow. Sometimes I've been surprised by a sudden view of the large Harvest moon behind some trees and I wanted to try to convey some of the magic I've felt. There's also something unseen, and a sense of the beyond, in particular beyond this planet, that the moon brings to mind for me. At a time of coronavirus and many global problems, watching the moon reminds me of the vastness of the universe and makes me question the meanings of our existence.

Light and the time of day often feature in my work and the moon theme gives me the chance to play with ideas about colour, calligraphic brush strokes and shapes. Some of the paintings focused on the developing interest in the process of making imagery and different ways to apply paint. Sometimes paint parallels light and the work veers towards abstraction.

The first painting is about the summer rain, of which we had little in the UK. I was thinking about the last warm colours as dusk fades to night and the rain streaming down, obscuring a landscape. It was painted with thin layers and was unplanned, the way I always work.


'Rainfall Moon,' (2) acrylic on canvas, 92 x 73 cm, 2020

This second painting is still in progress. I'm brightening the moon and tweaking a few other areas. I love this size of canvas, (and larger), and this painting is also quite layered with translucent and opaque paint. I layer paint until an image emerges and I feel transported to a new place. 

Here are a few more moon paintings, some more figurative based and some abstract.


'Moon, Mountains and Forest,' acrylic on canvas, 25 x 20 cm 2020


'Moonlit Terrain,' acrylic on canvas, 25 x 20 cm, 2020


'Lavender Moon,' acrylic and ink on canvas, 50 x 60 cm, 2019


'Moon Over Brighton,' acrylic on canvas, 30 x 23 cm, 2018

And two of the more abstract paintings in which I was thinking of the emotional experience and loving thick paint.


'Moonlit Landscape,' acrylic on canvas, 30 x 23 cm, 2019


'Scents of the Moon,' acrylic on canvas, 30 x 23 cm, 2020

This last one is about the delightful fragrance of summer which I often associate also with walking along the coast at night or through landscape. It's a fragrance that's quite hard to define but is slightly perfumed, sweet, and uplifting.

I will post more of my moon paintings this week and also some of the new landscape/abstracts I'm working on.

If you would like to see more of my new work, my website is:


Thursday, 18 June 2020

Artists Working in Isolation: A Personal Experience



'Coastal Flooding,' oil on canvas, 30 x 23 cm

As lockdown eases a bit here in the UK, my anxiety has also eased a little though strangely my output of painting has not been affected. If anything, the 3 months of restrictions caused an even greater concentration on my painting and my 2020 album on my website is packed with new work made since March 23rd. The painting above was completed this week and reflects the gradually changing conditions in that I've picked up the threads on a past theme of climate change. Up till this moment I was focused on a series of collage and mixed media works which was largely directed by wanting to escape to new places or were reflections on the new territory we find ourselves in. Now these themes are alternating with painting on canvas again.

Most artists work in isolation much of the time but the main difference has been that we couldn't meet up or visit each other's studios and exhibitions. There have been many online events, discussions, and online exhibitions and we've had to find new ways to connect with our audience.

Materials take much longer to arrive at the moment so while making collage works on card I've been re-working unresolved paintings, some from a few years ago. For this post I'm showing a few of these plus a new painting made for a show in China later this year (which may end up being postponed).

'Garden of Light,' oil on canvas, 40 x 30 cm

I've also gone back to working with oil paint again after having spent these 3 months working with ink, acrylic, papers and gesso on card. 

'Paintscape,' oil on board, 37 x 47 cm

Finally, this medium sized painting was painted entirely in acrylic. Last August as a particpant at the 8th Beijing International Art Biennale I was one of 30 artists selected to go out sketching in the landscape near the mountains. It was a 90 minute journey and I worked with ink on paper. This painting is a composite of memories of my month's painting Fellowship at the Great Wall in 2016, 4 trips to China, and reflections on my visits which evolved into waterfalls of colour. The painting was also influenced by the many mixed media works I was creating. I could have chosen any of the viewpoints I sketched though none were close up views of mountains, but as I love mountains, and they symbolise journeys and I remember the long journey to the mountains at the Great Wall, this image grew from those layers of thought.

'Waterfalls of Colour,' acrylic on canvas, 93 x 78 cm




Saturday, 30 May 2020

“UNESCO and MEADOWS artists against COVID-19”. An Online Exhibition, May 29th 2020



To give an idea about this exhibition I'm sharing a quote from the UNESCO website:

UNESCO Beirut Office partnered with MEADOWS (Mediterranean Endeavors Advancing Development Of Widespread Sustainability) NGO to reach out to artists worldwide and invite them to take the challenge to use visual arts as a powerful tool effecting relevant global issues through the intercultural dialogue. The concept created by Lena Kelekian, MEADOWS’  President and Founder, led to initiating the MASK ART creativity under lockdown with the patronage of UNESCO Beirut Office, under the topic of “UNESCO and MEADOWS artists against COVID-19”

250 Artists from 120 countries placed their artwork on a mask template and the result on the website is a stunning and diverse array of beautiful masks. It creates a positive image of mask wearing and I feel it represents taking some control over what is a really hard and tragic time in our existence. Here are some more masks...






Here is another description of the project taken from the UNESCO website which describes it better than I could:

'In these stricken times, while mitigating technical and slow internet problems, difficulties of social distancing and lockdown, communication was established with all the regional & national representatives, mobilizing every volunteer resource to transform the medical masks that instilled fear, such as stark reminders of the imminent danger of infection, into canvasses displaying strong creations of artists and their personal reaction to this pandemic crisis. The responses were highly creative. In some cases, we can find gloomy and morbid expressions of fear of the unknown but mostly they are expressions of hope and desire of a better and different tomorrow. Inside the short three weeks deadline – instead of the needed three months -, UNESCO Beirut and MEADOWS went through the process of selection albeit the language barriers and cultural differences, finding the common denominators of resilience between artists from all over continents.'

And the link - scroll down to see the many artworks: