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| 'A New Dawn,' Freddy Coello, oil on canvas, 120 x 170 cm |
The 8th Beijing International Art Biennale opened at the National Art Museum of China on 26th August 2019 and continued until September 23rd. This is the second part of my review of the Biennale, (as a participating artist), my first review was written on October 8th - please scroll down the page for this.
The theme of the Biennale was 'A Colourful World and a Shared Future.' Much of the artwork was very large due to the minimum size of submitted work being restricted to 100 cm by 100 cm. To make an impact on the huge walls of the Museum the canvases needed to be large to very large. However, with sculptures and ceramics there was much more variety in size, some being quite small.
As I mentioned in my previous review, there was a huge range of artwork on display, from paintings to sculptures, ceramics, prints and installations. I deeply regretted not having enough time to see everything! For this second review I have chosen a few more artists as examples to give a broad idea of this rich and diverse Biennale.
The painting above 'A New Dawn,' by Freddy Coello, an artist from Ecuador, was painted using one model in different poses. Freddy showed me photos of the model during one of our artist group chats in the foyer of the hotel. It is a very impressive and detailed painting with much attention given to the expressive poses of the model.
Yannis Koutsouradis, an artist from Greece who lives in Holland, writes about his colourful sculpture below:
My memories from the Greek islands are possibly the basis for the inspiration of this work together with reflections, recollections or angels of the Aegean Sea. They found themselves at home in Holland due to the Dutch nature or the endless water parties.
After realising that the ancient Greek sculpture had lost its colouration, I decided to research and apply "colours forever".
I was able to do that during the second period of my studies at the United kingdom. my professor Alan Gouk at the art school which is now called University of the Arts London, as well as my instructor in technique Tony Driver at the Royal College of Art has revealed to me the secrets of paint and colour enamelling on steel. Thus the materials of my work are made of these.
The work is of course realised in the Netherlands - my chosen land, in which I have celebrated recently 30 years of sharing with my native Greece.
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| Yannis Koutsouradis with his sculpture |
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| Yannis Koutsouradis' sculpture, Para Thin' Alos, glass enamel on metal |
Figurative painting was side by side with abstract. This large colourful abstract canvas is by Alon Kedem, an artist from Israel. It impressed me with its colours, different kinds of mark making and shapes.
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| 'Green Light,' Alon Kedem, oil on canvas, 200 x 235 cm |
One of the most inspiring aspects of the Beijing Biennale was seeing the different visions of the artists and how there are infinite ways of seeing the world and translating it with all kinds of materials. The breadth of artistic imagination is breath taking at the Biennale every time. It is also interesting to see artwork from so many countries outside one's own.
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| Stella Mimikou with her artwork |
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| 'Colourful Hands; Chain For the Future,' Stella Mimikou, 120 x 120 cm, acrylic
Stella Mimikou, another artist from Greece, was inspired by the lyrics of the Greek poetess Zoi Karelli and her words, 'With hands in extend and balance, an ideal divine line.'
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During my 4 days invitation to Beijing, I tried to meet as many of the over 200 invited artists as possible but there was simply not enough time due to various obligations - attending the Opening ceremony, various trips to the countryside and to see Beijing, and preparing my speech for the international symposium - but mealtimes in the beautiful restaurant gave a wonderful chance to meet up with old friends from previous Biennales and to exchange artist cards with new friends. Thankfully, social media allows for connection once an event is over and we are all back home!
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| 'The Kiss,' Irami Bulimaivale, oil and ink on canvas, 155 x 125 cm |
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| View of the Biennale |
I liked the way the sculptures and ceramics were displayed around the huge rooms because they shared equal attention with the work on the walls and there was enough space to be able to walk around each sculpture to see it from all angles. The sculptures ranged from totally abstract to highly detailed and figurative. Again, there was a wide range of materials used.
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| 'Burst,' by Naima Karim, oil on canvas 150 x 120 cm |
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