'The Wind Threw the Bags into the Trees.' oil and acrylic, 61 x 45cm
It's been a week of mixed activities. I worked on 5 new paintings, 2 of which are finished (the above is one of those). I made more drawings, exploring different ideas for compositions combining abstract and figurative elements from my environment and imagination. These drawings really excite me as they are a new direction, and glimmer with possibilities.
I applied to a gallery in the US last week. This particular gallery is one I admire, as I love the work they show, and I thought mine might fit (an important consideration). Several of my Facebook friends show with this gallery, though I did not use their names when I applied. I emailed 9 images of my work, with my updated CV and Statement. The next day a reply came, which I am taking in a positive way, being a very positive person! He said the work was 'good and strong.' and that he was fully booked, and would keep me in mind if any openings came up. My initial disappointment was eased by the thought that generally galleries don't make nice comments unless they mean them - I've had enough abrupt, outright rejections to know this! I know that the examples of my work that I emailed were ones I felt GOOD about, and while I may or may not hear from him again, this was a positive position to have applied from.
'Storm over Nicosia,' black paint on paper, 8 x 11ins, 2013
I'm applying to the Painting Center's open exhibition (New York), as the theme is one I am currently engaged with. They want examples of 'working drawings,' ones that artists make to examine ideas - drawings that may lead to a finished painting, but may also never be seen. I have a month to photograph my drawings, and send the CD to the US. Of course, thousands of artists will apply, but it's worth a shot. I'm aiming in wider directions, hoping to widen my network and opportunities. In April, I will take my painting up to the Royal Academy, for another attempt at the Summer Show, and by April 3rd I should hear whether I have been selected for the Creekside Open.
'The Wind Blew the Bags into the Trees,' was inspired by one of those sudden visual impressions! On March 10th I went by bus to get some hardboard to paint on, my stock of canvases being finished. As I stood with the hardboard, waiting for the bus home, I noticed the skeletal trees opposite had plastic bags snagged on them. It was an icy, windy day, the bags were snagged randomly across the line, and it reminded me of musical notes, and at the same time was quite funny.
(Click on images for larger view.)